Vitra’s turn to sustainability

The Oudolf Garden at the Vitra Campus, Weil am Rhein.

I’ve written about Vitra’s turn to sustainability for Metropolis magazine, and the resulting piece looks at the new Oudolf Garden, just opened at the Vitra Campus, and at a more comprehensive set of steps the company is taking to effectively become more sustainable – in their practice and within the organization. Below an excerpt; the full piece is up at Metropolis!

“The attention given to the planning and execution of the Oudolf garden, however, signals a significant change of course. While its planning dates to the pre-pandemic times, the garden was planted in May 2020, when most of the world came to a standstill. In total, 32,000 perennial plants of 114 species were planted in small pots. When the garden was unveiled to the public one year later, they had matured to give way to a dazzling early summer landscape, a complex mix of perennial varieties of varying colors and fragrances. The various colors and textures changed over the course of the following months, and in typical Oudolf fashion, the garden continues to evolve and transform with the seasons. Its maintenance will now become a constant; and the gardening team will be complemented by a few beehives at the edge of the garden, looked after by two company employees that double as trained apiculturists. We might be looking at a future when Vitra honey becomes a reality.”

Foreign Legion at the Vitra Speaker Series

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Foreign Legion portrait by Diana Pfammatter.

It was fantastic to have the opportunity to discuss the Foreign Legion project, which I co-founded with Matylda Krzykowski, at the Vitra Speaker Series. We discussed the ambitions and goals of the project, and how the design industry can spearhead the transformation of the discipline into one that is more inclusive and diverse. Thanks to Vitra for the invite!

The Tipping Point


Sketches for the Tip Ton chair, by Barber Osgerby. Photo by Felix Friedmann, courtesy Disegno

The first issue of design, architecture and fashion magazine Disegno includes my 3,000-word essay on Barber Osgerby’s Tip Ton chair for Vitra and the process behind its making. It was a challenge and an honour to write this piece, and I was very pleased with the result. The magazine can (and should!) be bought here, and the full feature article can be read online over at Disegno Daily. An excerpt after the jump.

Continue reading The Tipping Point