Values of Design: Problem solving

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The cover of “Values of Design”, designed by Fraser Muggeridge studio.

I was thrilled to contribute an essay on “Problem Solving” to Values of Design, the publication accompanying the opening of the V&A Shekou Gallery at Design Society, in Shenzhen, China. Curator Brendan Cormier invited me to further develop a series of reflections that greatly informed my masters thesis, and could be updated and revised for this tome, which features the voices of experts such as Jana Scholze, Catharine Rossi, Glenn Adamson, Penny Sparke, and Tamar Shafrir.  I was particularly lucky to be able to see the exhibition shortly after the opening, as well, which allowed me to better grasp the immense significance of such an exhibition and catalogue in the context of Shenzhen and South China.

Towards a New Avant-Garde at the Venice Biennale

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A view of the “Towards a New Avant-Garde” debate and installation. Photo Philippe Declerck /DEVspace

“Towards a New Avant-Garde”, the three-part conversation series I lead with Superscript during the opening weekend of the 14th International Architecture Exhibition— La Biennale di Venezia, brought together 40 talented young architects, writers, critics, to debate issues of identity, collaboration, and economics. Over the course of three 90-minute conversations, several key themes emerged, including the need of architects to engage the public directly, the importance of evolving new forms of communication and criticism, and the value of capitalizing on opportunities to be proactive. A recap of the discussion’s main topics can be read at ArchDaily. The event was also covered on Dezeen and Domusweb, among others.

Produced by Superscript with Catharine Rossi and Rossella Ferorelli, the conversations took place within  the main Monditalia exhibition at the Corderie dell’Arsenale. The live-edited installation, designed by Brussels-based architecture firm DEVspace and French-Swiss interaction designer Thibault Brevet with students from Basel’s Hyperwerk Institute, featured 18 Arduino-powered  open-source printers and standard marker pens. Provocations from the organizers, participant names and quotes, as well as contributions from online followers using the hashtag  #stayradical became part of dynamic backdrop that emerged over the course of each conversation.

The project was made possible through generous assistance from Hyperwerk Institute (Kevin Renz, Gabriel Meisel, Gabriel Kiefer, Fabian Ritzi, Ivo Ludwig, David Safranek, Matthias Maurer), and contributions by Amelie Klein, Niku Alex Mucaj, Becky Quintal, Elian Stefa, Fabrizia Vecchione, and Malte Ziegler. The project is supported by the Swiss Arts Council Pro Helvetia and WallonieBruxelles International (Belgium).