Hacking Households

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A detail of one of the modular appliances developed by the Hacking Households group. Photo Hacking Households

I was happy to write about the Internet of Things and the future of smart home appliances in Disegno no. 7, with a piece focusing on the work of designers Thibault Brevet, Jesse Howard and their combined efforts alongside the Hacking Households group at BIO 50. The project was one of my favorites within the biennial, and can be fully explored here.

Towards a New Avant-Garde at the Venice Biennale

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A view of the “Towards a New Avant-Garde” debate and installation. Photo Philippe Declerck /DEVspace

“Towards a New Avant-Garde”, the three-part conversation series I lead with Superscript during the opening weekend of the 14th International Architecture Exhibition— La Biennale di Venezia, brought together 40 talented young architects, writers, critics, to debate issues of identity, collaboration, and economics. Over the course of three 90-minute conversations, several key themes emerged, including the need of architects to engage the public directly, the importance of evolving new forms of communication and criticism, and the value of capitalizing on opportunities to be proactive. A recap of the discussion’s main topics can be read at ArchDaily. The event was also covered on Dezeen and Domusweb, among others.

Produced by Superscript with Catharine Rossi and Rossella Ferorelli, the conversations took place within  the main Monditalia exhibition at the Corderie dell’Arsenale. The live-edited installation, designed by Brussels-based architecture firm DEVspace and French-Swiss interaction designer Thibault Brevet with students from Basel’s Hyperwerk Institute, featured 18 Arduino-powered  open-source printers and standard marker pens. Provocations from the organizers, participant names and quotes, as well as contributions from online followers using the hashtag  #stayradical became part of dynamic backdrop that emerged over the course of each conversation.

The project was made possible through generous assistance from Hyperwerk Institute (Kevin Renz, Gabriel Meisel, Gabriel Kiefer, Fabian Ritzi, Ivo Ludwig, David Safranek, Matthias Maurer), and contributions by Amelie Klein, Niku Alex Mucaj, Becky Quintal, Elian Stefa, Fabrizia Vecchione, and Malte Ziegler. The project is supported by the Swiss Arts Council Pro Helvetia and WallonieBruxelles International (Belgium).