The Atelier LUMA brochure, distributed this year during Milan Design Week at the Palazzo Clerici.
During the 2018 Milan Design Week, Atelier LUMA took over the courtyard of Palazzo Clerici, where, in four different studiolo structures, it presented recent outcomes of the material exploration and research they are actively conducting in Arles, in the South of France. I was happy to have worked on the project’s brochure, which was presented in Milan for the first time, and with a wonderful design by Andrea Anner, will continue to serve as a fantastic visual and conceptual introduction to the large-scale intervention that is taking shape in Arles. If you don’t follow the journey of Atelier LUMA, I warmly invite you to find out more on their website.
I was thrilled to participate in one of the debates organized during Salone del Mobile 2017 by Disegno magazine and the British Council on the future of European design, which took place at Atelier Clerici. The event was titled “Why aren’t all economies circular?”, and was chaired by Joseph Grima with Sarah Mann, Carl-Johan Skogh and myself. The talks were characterized by multi-layered, thoughtful and intense discussions – generally countering the superficiality on display for most of the week, and a welcome addition to the programming of Fuorisalone. The three discussions on the future of European design are all available as podcasts on Disegno Daily, and I invite you to listen to all of them!
Last November, I had the pleasure to visit and interview Dominic Wilcox in his London studio for the Italian magazine ICON design, and talk to him about his past and recent work, concluding with some thoughts on his incredible initiative Little Inventors. The result was published in the April issue of the magazine, just in time for Salone, and is also available online (in Italian only). An excerpt below of my English original.
Dominic Wilcox doesn’t stop. As I speak to him, the designer-inventor fidgets, his eyes wander, his mind rushes. It is a grey London morning in mid-November, and his studio and workshop is teeming with his many inventions: drawings and sketches adorn the walls, showing his creations in their inception, while prototypes and one-offs are displayed in walls or tucked under desks. His suitcase is at the door; he just returned from a trip in Vienna, Amsterdam, Warsaw, and Wisconsin, sharing his expertise in innovation, invention, and the ability to surprise and delight. And yet, his first, ingenious creations have now lead to an ambitious, game-changing initiative, with the potential to create long lasting change at a global level.
A view of the Z33 debate last 10 April in the Tiepolo Room, Palazzo Clerici, Milan. Photo by Z33
For the 2014 edition of Salone del Mobile, I’ve been invited to contribute to the Z33 Debates – Designing Futures, writing a small text on the future of design education and mentorship. The text informed the debate that happened last 10 April between Aldo Bakker, Rianne Makkink and Jan Boelen, at the Palazzo Clerici, in Milan, and was included in a small publication distributed during the event. Reflecting on the experiences of the kick-off event of BIO 50, I jotted down some notes for the future of design education, which can be read after the jump. Following the debate, I made a small roundup of the event for Z33– watch the video below as well!