Post World’s End Architecture: Italy and Portugal

ateliermob’s Open-Air Theatre in Rio de Moinhos. Photo by Zoraima de Figueiredo

Following the invitation of Gonzalo Herrero Delicado, I had the opportunity to further delve on my research on contemporary architecture in crisis contexts. This time, focusing on the south of Europe, for Blueprint magazine’s “Post-World’s End Architecture” Series. Together, we researched and analyzed the context in Portugal and Italy, while Gonzalo devoted himself to a full-on immersion in Spain and Greece. The result is a four-part series of articles that saw the light during 2013, and offer a comprehensive analysis of the contemporary architecture scene — in its many layers — in the crisis-ridden European south.

“Post-World’s End Architecture: Portugal” can be read in its entirety at Design Curial — and an excerpt can be found after the jump.

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Writing = weapon

One of the slides in my Pecha Kucha presentation, reading “Writing = weapon”.

During my last visit to Lisbon, I was happy to participate in the 18th edition of Pecha Kucha Night Lisbon, where I talked about my writing and work. This was the first time I presented in an open event in Portugal (my home country), and it offered a good opportunity to reflect on everything I’ve been doing in the last few years — happy to say it’s been a lot.

The presentation was also a moment for me to advocate the use of writing as a weapon of agency and power — ultimately, I began writing (back in 2003) because I was frustrated with the state of cultural critique in Portugal — and to discuss the work of a series of Portuguese architecture studios, who together form a potential new avant-garde in the country, in a moment of crisis and exception.