The April 2017 issue of Metropolis Magazine includes my survey of independent groups blending research, activism and new approaches to practice in architecture – what a pleasure to work with the Metropolis team! I was also lucky to talk to many amazing individuals while researching for this piece, from L+CC to Parasite 2.0, and from The Funambulist to Migrant Journal. The full piece is online at Metropolis, and a little excerpt can be found below.
The ways in which architects and designers are taking action attest to a future of the practice that will be multilayered and adaptable, responding to our intricate times with polyphonic vigor. However, the passion poured into these projects is tempered by the financial challenges of running many of these initiatives, and practitioners find themselves on a steep learning curve trying to reconcile their independence with a sustainable business model. For many, the uncertainty is constant, and there is no five-year plan. And yet it is precisely these challenging conditions that drive some of their best work: Why not risk everything when you have nothing to lose?
A profile of Jader Almeida in Metropolis, February 2015
Early in the year, I had the pleasure of interviewing Brazilian designer Jader Almeida, a 33-year-old industrial designer with an impressive career, and write a profile on him for Metropolis magazine.The promising young designer is one of the country’s top talents, with a singular approach and a remarkable, tenacious commitment to his craft. The full profile can be read over at the Metropolis website.
Casa das Artes, by Souto de Moura Arquitectos. Photo by Luis Ferreira Alves
With Eduardo Souto Moura’s surprising Pritzker win, I contributed a small post for the Metropolis blog trying to bring the architect’s work into context. Truth is, I really like his work, and lived around it for five years while in college. Here’s an excerpt:
In Porto, Portugal, where Souto Moura—we usually drop the “de”—has lived, taught and worked for the last thirty years, the architect is quite a celebrity. The northern part of Portugal is where you can find most of his strongest body of work—his houses. With each single family dwelling, Souto Moura has refined a style that is rigorous, grounded and muscular; minimal—the influence of both Mies and Siza are felt—but detailed in the way the volume is inserted into the landscape and the space unfolds within.