An aspect of the A Woman’s Work symposium at the Kunstgewerbemuseum Dresden. Photo David Pinzer.
Thrilled to have just come out of a lively and thought-provoking day of discussions during A Woman’s Work at the Kunstgewerbemuseum Dresden. If you were not able to make it, you can see a report by Emma Lucek at Pamono Stories on the event. Below an excerpt:
The dominance of women both on the panel and in the audience—curators, designers, educators, students, directors, and more—brought home just how far we’ve come already. The significant rise in the visibility of women in the world of design today is undeniable. But as Rawsthorn very articulately summed it up, “We need to build on [these achievements] with a dynamic and critical discourse… While many skirmishes have been won, others await.”
The visual identity of the symposium, developed by Andrea Anner.
On the occasion of the exhibition “Against Invisibility – Women Designers at the Deutsche Werkstätten Hellerau 1898 to 1938″, currently on view at the Kunstgewerbemuseum Dresden, Matylda Krzykowski and I were invited to organize a symposium focusing on female practitioners in design. We organized it under the moniker of Foreign Legion, and called it A Woman’s Work, a symposium on the roles, influence and visibility of female practitioners today.
Taking the exhibition as a starting point, A Woman’s Work examines the contemporary, in order to shed light on the invisibility of the female practitioner as it continues to exist today.
Structured in three parts – ‘Advocates of History’, ‘Enablers of Visibility’ and ‘Dismantlers of Existing Conditions’ – the symposium brings together a wide range of practitioners, scholars, writers, critics and curators based in different parts of Europe, aiming to offer transversal, multigenerational and diverse perspectives on the present and the future of female practice.
Throughout the course of one day – 18 January 2019 –, conversations will take place in a variety of formats, creating platforms for exchange and connection. A Woman’s Work aims to bring women in and around design, art and architecture to the fore, advocating for their visibility to become a permanent condition. We hope to see you in Dresden, and that you will join us in conversation!
TEOK XXIII in full throttle at Depot Basel. Photo Depot Basel
In our latest collaboration with Depot Basel, the twenty-third edition of TEOK was conceived to respond to the theme of SPECTACLE. Presenters Mathieu Bujnowskyj and Alfredo Brillembourg (with his band BINZ) took us on a wild ride from the hills of Burma’s new capital Nay Pyi Taw to Basel’s White Horse Hotel, and it felt like a real celebration within the space’s walls. Thank you to our speakers, hosts and audience – on to the next!
An aspect of the Forum 4 – Knowledge. Photo courtesy Depot Basel
I was delighted to represent TEOK at Depot Basel’s initiative Forum for an Attitude. During the 4th iteration of the Forum, with the topic “Knowledge”, I gave a lecture on the many different ways of knowing that we encounter in life, and how the development of TEOK allowed us to further our definitions of what we know and what we think we know. It was great to spend some time with the fantastic participants of the Forum and enhance my understanding of knowledge over the weekend. Thanks to Depot Basel and Matylda Krzykowski for the invitation!