When Disegno asked me to write about Italian Limes, a project of Italian design research studio Folder, I couldn’t believe my luck. Here is one of the most interesting projects done in design and architecture in recent years, and I tried my best to show its relevance in today’s world in a piece that made it to Disegno no. 12. An excerpt below, and the full piece available in the magazine.
Italian Limesâ€™s greatest legacy is likely to be how it has contributed in a completely novel way to the fields of design and architecture, and helped carve out a path for a new generation of researchers. It has shown how design can meaningfully contribute to social and political discourse. In stark contrast to the postcard of the Brenner pass that initiated the project, a current Google maps rendition of Italyâ€™s border shows desolation and emptiness. A bare road leads to the Alps, as if entering the country were nothing other than simple and objective. And yet, as Paasi writes, â€œborders are still with us,â€ their meanings â€œmore and more complex in both social and political practice and academic researchâ€. Borders are contested, transformed, permeable to different degrees, dematerialised, present â€“ and as movable in their definition as the section of the Italian-Austrian frontier analysed by Folder. â€œConsequently, it is crucial to step beyond simple dichotomies dictating that spaces should be understood as either territorially bounded or open,â€ concludes Paasi. â€œEven the most thoroughly fixed borders transform, are crossed, and are partly â€˜mobileâ€™.â€
A view of the “Towards a New Avant-Garde” debate and installation. Photo Philippe Declerck /DEVspace
“Towards a New Avant-Garde”, the three-part conversation series I lead withÂ SuperscriptÂ during the opening weekend of the 14th International Architecture Exhibitionâ€” La Biennale di Venezia, brought together 40 talented young architects, writers, critics, to debate issues of identity, collaboration, and economics. Over the course of three 90-minute conversations, several key themes emerged, including the need of architects to engage the public directly, the importance of evolving new forms of communication and criticism, and the value of capitalizing on opportunities to be proactive. A recap of the discussion’sÂ main topics can be read at ArchDaily.Â The eventÂ was also coveredÂ on DezeenÂ andÂ Domusweb, among others.
Produced by Superscript withÂ Catharine Rossi and Rossella Ferorelli, the conversations took place within Â the main Monditalia exhibition at the Corderie dellâ€™Arsenale. The live-edited installation, designed by Brussels-based architecture firm DEVspaceÂ and French-Swiss interaction designer Thibault BrevetÂ with students from Baselâ€™s Hyperwerk Institute, featured 18 Arduino-powered Â open-source printers and standard marker pens. Provocations from the organizers, participantÂ names and quotes, as well as contributions from online followers using the hashtag Â #stayradical became part of dynamic backdrop that emerged over the course of each conversation.
The project was made possible through generous assistance from Hyperwerk InstituteÂ (KevinÂ Renz, Gabriel Meisel, Gabriel Kiefer, Fabian Ritzi, Ivo Ludwig, David Safranek, MatthiasÂ Maurer), and contributions by Amelie Klein, Niku Alex Mucaj, Becky Quintal, Elian Stefa,Â Fabrizia Vecchione, and Malte Ziegler. The project is supported by theÂ Swiss Arts Council ProÂ Helvetia and WallonieBruxelles International (Belgium).