The 4th Istanbul Design Biennial – A School of Schools

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A mechanism for a model of the motion of a comet. Engraving after B. Martin, courtesy the Wellcome collection.

I’m thrilled to be joining the curatorial team of the 4th Istanbul Design Biennial as Associate Curator, alongside Jan Boelen and Nadine Botha. Titled A School of Schools, it is a multi-platform biennial that will use, test, and revise a variety of educational strategies to reflect on the role of design, knowledge, and global connectedness in contemporary Istanbul and beyond.

The first step in the year-long process of the biennial is an Open Call, open to both to learners and schools. For more information you can visit the biennial’s website at aschoolofschools.iksv.org. Hope to see you all in Istanbul in September 2018!

The inception of atelier LUMA

A view of the Algae Lab team in the Camargue wetlands. Photo © atelier LUMA
A view of the Algae Lab team in the Camargue wetlands. Photo © atelier LUMA

The last days of May were marked by the first open house and public presentation of atelier LUMA, a new, experimental project taking place since mid-2016 in Arles with the artistic direction of Jan Boelen. atelier LUMA is a think tank, a production workshop, a learning network and an archive for knowledge and tools of the LUMA Foundation. Based in Arles, in the Camargue region, atelier LUMA wants to co-develop new ways of producing and caring for a city and a bioregion, using design as a tool for transition.

Since 2016 I have been privileged to follow and document this project, as part of the atelier LUMA team. One of the most visible faces of the project, for those who cannot make the trip down to Arles and see the wonderful, large-scale transformation the initiative promotes in the territory, is the website, which I was happy to work on in the last months. I invite you to visit it, learn more and engage with atelier LUMA – and stay tuned for the many fantastic things that will be coming out of Arles.

Designing Everyday Life

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Designing Everyday Life, MAO and Park Books, Zurich 2014

As part of BIO 50, the 23rd Design Biennial in Ljubljana, I edited Designing Everyday Life, a publication that accompanied the six-month collaborative process that was at the core of the event, while simultaneously reflecting on the state of contemporary design and contemporary design events. With contributions by Jan Boelen, Alice Rawsthorn, Justin McGuirk and David Crowley, among others, the book combines essays, interviews and follows the 11 teams that were brought together by BIO 50, from the kick-off to the materialization of their projects. It was truly a pleasure to work on such an ambitious project. Below a few excerpts of praise for the book.

“Rather than a series of product shots – typical of some other biennials – the catalogue has a scrapbook aesthetic that is replete with sketches, email exchanges, Facebook posts and photographs from field trips. It is an honest and meticulous documentation of the processes integral to the development of each project over the six month period.” Anya Lawrence, Disegno

“While the exhibition offers much to stimulate visitors, Boelen’s particular stroke of genius is Designing Everyday Life, the biennial’s companion text. Edited by design writer, Vera Sacchetti, the 534-page text reveals the glorious mess behind the exhibition’s cleanliness. Drawings, prototypes and even posts from Facebook pages illuminate how these processes of research, experimentation and collaboration worked. It’s a fascinating read.” Crystal Bennes, Icon

“By renouncing “iconic” design and focussing on real urgencies in the world, for which viable alternatives were sought and (sometimes) found, BIO 50 sparks the energy that is currently missing in most of the international design fairs. Moreover, the ambitions have landed in a thought-provoking catalogue, which will last as an optimist testimony of new ways of thinking, new ways of working, and new ways of presenting. The BIO 50 biennial proves that design fairs can reclaim the invigorating role they once played, by facing the real urgencies of the world and showing the surprising and on-going potential design has to offer.” Louise Shouwenberg, Dezeen

 

BIO 50: Opening week

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The “Designing Everyday Life” panel during the BIO 50 opening week. Photo Ana Kovač/MAO

The culmination of my work as a Curatorial Advisor for BIO 50 happened in September, with the biennial’s opening week and the unveiling of the results of a six-month collaborative process that involved more than 120 local and international agents. The intense week included the “Designing Everyday Life” panel, in which I moderated a conversation between BIO 50 chief curator Jan Boelen and design critics Alice Rawsthorn and Justin McGuirk, debating the current state of design and design events, apropos the biennial’s accompanying publication Designing Everyday Life. It was truly enjoyable to moderate a conversation among such luminaries. The conversation was lively and engaging, and can be seen fully here.

Z33 debates: mentorship and collaboration


A view of the Z33 debate last 10 April in the Tiepolo Room, Palazzo Clerici, Milan. Photo by Z33

For the 2014 edition of Salone del Mobile, I’ve been invited to contribute to the Z33 Debates – Designing Futures, writing a small text on the future of design education and mentorship. The text informed the debate that happened last 10 April between Aldo Bakker, Rianne Makkink and Jan Boelen, at the Palazzo Clerici, in Milan, and was included in a small publication distributed during the event. Reflecting on the experiences of the kick-off event of BIO 50, I jotted down some notes for the future of design education, which can be read after the jump. Following the debate, I made a small roundup of the event for Z33– watch the video below as well!

 

Continue reading Z33 debates: mentorship and collaboration

BIO50: 3, 2, 1… TEST


The BIO50 group at the Biennial’s kick-off in Ljubljana. Photo by Lucijan & Vladimir

I’m happy and honoured to announce I’m integrating the fantastic effort behind BIO 50, the 2014 Biennial of Design in Ljubljana, Slovenia. I’ll be serving as an advisor to the curatorial team, alongside curator Jan Boelen and co-curators Maja Vardjan and Cvetka Potzar. BIO 50 is reinventing what a design event can and should be in this day and age, moving from an awards-based competition to a full-fledged six month collaborative process. I’m very excited to take part in this groundbreaking initiative. After the jump, the curatorial statement for the project, by Jan Boelen; and I hope to see you at the opening of the Biennale next September in Ljubljana!

Continue reading BIO50: 3, 2, 1… TEST