Domus July/August 2013. Photo Delfino Sisto Legnani
The July/August 2013 issue of Domus marks my departure from the magazine, after a year and a half of intense learning and a lot of fun. It was an honour, a challenge, and an immense pleasure to work under editor-in-chief Joseph Grima and the Domus editorial team — among which Marco Ferrari and Fabrizia Vecchione—, creating a magazine and a website that truly captured the contemporary.
Personally, this period marks my most intense professional growth thus far, and I couldn’t be more thankful for the opportunity. For the moment, find all my collected writings at Domusweb here. And now, on to the next challenge!
Polígono at work. Photo by Francisco Bahia Nogueira
The July/August 2013 issue of Domus features a story which I was thrilled to research and write, on small-scale interventions by emerging Portuguese architecture practices. For me, it was a bit like coming home – and simultaneously, it was one of the biggest challenges I’ve had in the year. It was a pleasure to speak to the people behind ateliermob, Polígono, Arrebita!Porto, Artéria, Casa do Vapor and LIKEArchitects, and understand what drives and moves them.
This issue of Domus is a special one, too. It is the last under editor-in-chief Joseph Grima, and brilliantly combines all the themes that marked his period in the magazine – a period that suceeded to truly capture the contemporary. The volume marks his departure from the magazine – and mine –, and heralds the beginning of new projects and adventures.
The full piece can be read after the jump.
Continue reading We don’t always need to build
A view of DUS architects’ studio. Photo by Hans Vermeulen
The April 2013 issue of Domus features my story on DUS architects’ KamerMaker — a large-scale, mobile 3D printer — and their project to built the world’s first 3D printed canal house, room by room, in the north of Amsterdam. The project seeks to revitalize a run-down area in the north of the city, and I was fortunate to visit DUS’ studio on a grey March morning to see the KamerMaker for myself. The full feature is available to read online over at Domusweb, and an excerpt can be seen after the jump.
Continue reading Printable futures
The open-air gallery of Mangiabarche. Photo Beyond Entropy
The March 2013 issue of Domus features my piece on the open-air gallery of Mangiabarche, in Calasetta, Sardinia. This was a truly special place that I was lucky enough to visit late in 2012, which defies the conventional notions of what a gallery space is and can be. This feature also marks the first time I write about contemporary art and politics of territorial occupation. The full piece can be read over at Domusweb, and an excerpt can be found after the jump.
Continue reading Art beacon in the Mediterranean