Spaces of Exception and other formats

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Can Altay presenting at the Spaces of Exception roundtables during the opening weekend of the 4th Istanbul Design Biennial, A School of Schools.

I was thrilled to be able to curate the public program of the 4th Istanbul Design Biennial, A School of Schools, as part of my role as a member of the biennial’s curatorial team. As a crucial part of our understanding of the “expanded” character we wanted to give the biennial, the public program was an active and intense part of the biennial’s effort, testing a variety of formats and experimenting with elements of duration, complexity and materialization. Taking place across the six venues of the biennial, the public program was also a way to involve a large local audience and bring several international practitioners to Istanbul, including some international schools who became temporary residents of the exhibition spaces, adding to the show and creating new work while there. In this way, the public program sought to expand and amplify the discussions started by A School of Schools.

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A School of Schools is now open

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Performance by Vivien Tauchmann during the press conference of the 4th Istanbul Design Biennial, A School of Schools. Photo Ilgin Erarslan Yanmaz.

The 4th Istanbul Design Biennial, A School of Schools, has officially opened its doors to the public. The Orientation Days on 20 and 21 September – open to professionals and other accredited visitors – kicked-off an intense series of events and formats, complementing the main biennial exhibition, which extended over six venues in the Beyoglu district of Istanbul. From 22 September to 4 November, A School of Schools will be free and open to the public.

The biennial brings together projects from more than 100 interdisciplinary practitioners from across the globe. Six of the city’s most iconic cultural institutions in the Beyoğlu district—Akbank Sanat, Yapı Kredi Culture Centre, Arter, Pera Museum, SALT Galata, Studio-X Istanbul—will transform into “schools” where new ideas in relation to expanded notions of design and its role in contemporary culture are explored.

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BIO 50: Opening week

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The “Designing Everyday Life” panel during the BIO 50 opening week. Photo Ana Kovač/MAO

The culmination of my work as a Curatorial Advisor for BIO 50 happened in September, with the biennial’s opening week and the unveiling of the results of a six-month collaborative process that involved more than 120 local and international agents. The intense week included the “Designing Everyday Life” panel, in which I moderated a conversation between BIO 50 chief curator Jan Boelen and design critics Alice Rawsthorn and Justin McGuirk, debating the current state of design and design events, apropos the biennial’s accompanying publication Designing Everyday Life. It was truly enjoyable to moderate a conversation among such luminaries. The conversation was lively and engaging, and can be seen fully here.