I had the pleasure to once again work with the Federal Office of Culture, in the person of Patrizia Crivelli, designer Jonathan Hares and photographer Gina Folly in the publication celebrating the 2017 edition of the Swiss Grand Award for Design, a career prize bestowed upon distinguished Swiss designers of all fields. This year, the winners were David Bielander, Thomas Ott and Jean Widmer, whom I was humbled and honored to meet and interview for the publication.
Cover detail of Cartha – On Relations in Architecture.
The essay I wrote with Juan Palencia on the inception and growth of TEOK for the inaugural issue of Cartha magazine has been included in their first book, titled On Relations in Architecture and published by Park Books. It was wonderful to see the essay come to life in the printed page! Congratulations to the Cartha team and all their other contributors.
The Unmanned: Drone book launch in Venice.
It was under the blue hues of the Dutch Pavilion at the 2016 Venice Architecture Biennale that we presented the first e-book of the Unmanned: Architecture and Security series. Titled Drone, this first issue combines several essays on the topic with reports on two events that took place at Studio X and Het Nieuwe Instituut. I was thrilled to be able to assist the very talented team of editors – Ethel Baraona Pohl, Marina Otero Verzier and Malkit Shoshan – in the making of this volume with dpr.barcelona, and was happy to participate in the launch discussion, where the editorial team was complemented by respondents Anna Puigjaner and Tamar Shafrir.
Spreads from the Swiss Grand Award for Design 2016 publication.
I was delighted to edit the publication celebrating the 2016 edition of the Swiss Grand Award for Design, a career prize bestowed upon distinguished Swiss designers of all fields. This was the tenth year of the award, which is given by the Swiss Federal Office of Culture, and the winners were Claudia Caviezel, Hans Eichenberger, and Ralph Schraivogel. I had the pleasure to interview them and get to know better their work and practice, and it was also fantastic to work with the Federal Office of Culture, in the person of Patrizia Crivelli, and designer Jonathan Hares.
A detail of Depot Basel’s DISPLAY publication.
Following the tenth edition of TEOK, I wrote an essay for the DISPLAY publication launched by Depot Basel following its exploration of the theme in a series of spacial interventions, lectures and events at their Basel location. My contribution focused on the mechanics and structure of the TEOK held at Depot Basel, and reflected on the things learned following that evening. A big thank you to Matylda Krzykowski for the invitation to contribute to the publication.
An excerpt of Yona Friedman’s “A Map to the Future”, as seen in Designing Everyday Life, MAO and Park Books, Zurich 2014
As part of BIO 50 accompanying publication Designing Everyday Life, Tamar Shafrir and I wrote an essay on the evolution of design events in the last 50 years, and how contemporary design events can inform and shape the future of the design discipline. The full essay can be read below.
A Good Virus
Vera Sacchetti, Tamar Shafrir
When in November 2011 Italian architecture and design magazine Domus charted what it coined as the “Biennialozoic Era”, a foldout spread displayed a world map with a comprehensive overview of architecture, art and design events throughout the world. In a methodical manner, the mock atlas illustrated 150 events of the kind, from the Biennial of Design in Ljubljana, founded in 1964, to the 2012 inaugural edition of the Istanbul Design Biennial. Of these, 65% have been founded in the last fifteen years, the most recent being the newly announced Biennial of Architecture in Chicago, which will hold its first edition in 2015. Continue reading A Good Virus
Designing Everyday Life, MAO and Park Books, Zurich 2014
As part of BIO 50, the 23rd Design Biennial in Ljubljana, I edited Designing Everyday Life, a publication that accompanied the six-month collaborative process that was at the core of the event, while simultaneously reflecting on the state of contemporary design and contemporary design events. With contributions by Jan Boelen, Alice Rawsthorn, Justin McGuirk and David Crowley, among others, the book combines essays, interviews and follows the 11 teams that were brought together by BIO 50, from the kick-off to the materialization of their projects. It was truly a pleasure to work on such an ambitious project. Below a few excerpts of praise for the book.
“Rather than a series of product shots – typical of some other biennials – the catalogue has a scrapbook aesthetic that is replete with sketches, email exchanges, Facebook posts and photographs from field trips. It is an honest and meticulous documentation of the processes integral to the development of each project over the six month period.” Anya Lawrence, Disegno
“While the exhibition offers much to stimulate visitors, Boelen’s particular stroke of genius is Designing Everyday Life, the biennial’s companion text. Edited by design writer, Vera Sacchetti, the 534-page text reveals the glorious mess behind the exhibition’s cleanliness. Drawings, prototypes and even posts from Facebook pages illuminate how these processes of research, experimentation and collaboration worked. It’s a fascinating read.” Crystal Bennes, Icon
“By renouncing “iconic” design and focussing on real urgencies in the world, for which viable alternatives were sought and (sometimes) found, BIO 50 sparks the energy that is currently missing in most of the international design fairs. Moreover, the ambitions have landed in a thought-provoking catalogue, which will last as an optimist testimony of new ways of thinking, new ways of working, and new ways of presenting. The BIO 50 biennial proves that design fairs can reclaim the invigorating role they once played, by facing the real urgencies of the world and showing the surprising and on-going potential design has to offer.” Louise Shouwenberg, Dezeen
The Italian Avant-Garde, page detail. Photo by Fabrizia Vecchione for Domus.
When Catharine Rossi first asked me to moderate a conversation between Joseph Grima and Alessandro Mendini for an upcoming publication she was co-editing on the Italian avant-garde of the late 1960s and early 1970s, I have to say I panicked. But a few nights of research led to an absolutely fabulous conversation, in which I merely watched as history happened before my eyes. This meeting of giants has been transcribed as the first chapter of Sternberg Press’ new volume EP Vol.1: The Italian Avant-Garde, 1968-1976, edited by Alex Coles and Catharine Rossi, and designed by Experimental Jetset. The book features a series of essays, interviews and explorations of several aspects of this complex, multilayered impulse that was immensely influential. I am humbled and honored to have been a part of it. Read Alice Rawsthorn’s review of the book here.
The Adhocracy Reader, page detail. Photo by Ethel Baraona Pohl
During the summer of 2012 I was lucky enough to be involved in the preparation of Adhocracy, an exhibition curated by Joseph Grima with Elian Stefa, Ethel Baraona Pohl and Pelin Tan for the 1st Istanbul Design Biennial. My collaboration with the team materialized in the exhibition catalog, which I co-edited with Avinash Rajagopal and Tamar Shafrir. The Adhocracy Reader was designed by Folder (Marco Ferrari and Elisa Pasqual), and in its 400 pages we tried to push the concept of a standard catalog and create a reader, evoking a standard college reader — a compilation of pre-published material. A series of introductory essays frame the exhibition’s premises and the catalog’s intentions, followed by a carefully curated selection of material on the projects on display in the exhibition, alongside a series of pre-existing essays. The whole catalog can be consulted on Issuu, and a Flickr photoset by Ethel Baraona Pohl can be seen here.
Concrete Mushrooms. Photo by dpr.barcelona
During June and July 2012, I copy-edited and helped Elian Stefa finish the book Concrete Mushrooms: Reusing Albania’s 750,000 Abandoned Bunkers, which was then published by dpr.barcelona in August 2012. The book, in Albanian and English, traces the history and fascinating “bunkerization” of Albania during the last years of Enver Hoxha’s dictatorship, and proposes a series of uses for these now discarded military structures. The project was originally started as a research project at the Politecnico di Milano. In August 2012, Concrete Mushrooms was also one of the initiators of Concrete in Common, an exhibition at the Kunst Raum Riehen, in Basel, Switzerland — which I reviewed for Domusweb —, and was presented as one of the projects in the Albanian Pavilion at the 13th International Architecture Exhibition — Venice Biennale 2012.
When Frederico Duarte asked me if I’d be into having a conversation about social design in Portuguese, I was instantly game. Over email, we had a fun back and forth that became a section of the Portugal e África: Melhor Cooperação, Melhor Desenvolvimento [“Portugal and Africa: Better cooperation, better development”] book, a publication of the ACEP — Associação para a Cooperação Entre os Povos. This was the first time me and Frederico collaborated, and it was an immense pleasure to finally pen something with him. The full book can be seen at the ACEP website in PDF, or it can be ordered at firstname.lastname@example.org. After the jump, the full conversation between me and Frederico — unfortunately only available in Portuguese.