Excerpt from a production diagram for Jesse Howard’s OS Waterboiler. Photo Jesse Howard
The latest edition of the Swiss national radio’s Kontext program was dedicated to DIY design. Starting from an exhibition dedicated to the topic, currently on display at Zurich’s Schaudepot, the program talked to several curators, designers and critics to better understand the phenomenon and its implications. I was happy to contribute to the program, offering my insights on the subject and discussing the excellent work of Thomas Lommée, Jesse Howard and Gaspard Tiné-Bères, among others. The full program (in German) can be accessed here.
The Italian Avant-Garde, page detail. Photo by Fabrizia Vecchione for Domus.
When Catharine Rossi first asked me to moderate a conversation between Joseph Grima and Alessandro Mendini for an upcoming publication she was co-editing on the Italian avant-garde of the late 1960s and early 1970s, I have to say I panicked. But a few nights of research led to an absolutely fabulous conversation, in which I merely watched as history happened before my eyes. This meeting of giants has been transcribed as the first chapter of Sternberg Press’ new volume EP Vol.1: The Italian Avant-Garde, 1968-1976, edited by Alex Coles and Catharine Rossi, and designed by Experimental Jetset. The book features a series of essays, interviews and explorations of several aspects of this complex, multilayered impulse that was immensely influential. I am humbled and honored to have been a part of it. Read Alice Rawsthorn’s review of the book here.
Braga Municipal Stadium, Souto de Moura Arquitectos. Photo: Luis Ferreira Alves
More on the Souto the Moura front: my commentary on the Portuguese Pritzker, as well as an exclusive interview, are now up on The Architect’s Newspaper. It was a pleasure writing a bit more about this Portuguese architect, whose work I like so much. It was great to interview him, too. A small excerpt here,
Your work is full of quotations of work you admire: the Corbusier-type window in your House in Maia, the Xenakis-imposed rhythm in the House in Barrocal, and Mies in the Burgo Office tower, this last one an homage…
The Burgo Tower is not an homage. I quote, because those who cannot write quote. What I don’t want is to start from scratch, which is a waste of time and a sign of little intelligence. If there is a set of circumstances to which architects have answered in a way I admire, I would like to use it, because this is part of the continuity that architecture needs. Architecture is a continuous story. I’m not going to invent a brick angle if Mies already did it in the Dominion Center, but what I can do is to re-think or re-draw it. But I always start from a concrete thing. To start from scratch leads to two things: either it’s stupid, or it leads to an excessive creativity that architecture doesn’t need.
And the full commentary and interview at The Architect’s Newspaper site & April 20th print edition.