An aspect of the A Woman’s Work symposium at the Kunstgewerbemuseum Dresden. Photo David Pinzer.
Thrilled to have just come out of a lively and thought-provoking day of discussions during A Woman’s Work at the Kunstgewerbemuseum Dresden. If you were not able to make it, you can see a report by Emma Lucek at Pamono Stories on the event. Below an excerpt:
The dominance of women both on the panel and in the audience—curators, designers, educators, students, directors, and more—brought home just how far we’ve come already. The significant rise in the visibility of women in the world of design today is undeniable. But as Rawsthorn very articulately summed it up, “We need to build on [these achievements] with a dynamic and critical discourse… While many skirmishes have been won, others await.”
Taking the exhibition as a starting point, A Woman’s Work examines the contemporary, in order to shed light on the invisibility of the female practitioner as it continues to exist today.
Structured in three parts – ‘Advocates of History’, ‘Enablers of Visibility’ and ‘Dismantlers of Existing Conditions’ – the symposium brings together a wide range of practitioners, scholars, writers, critics and curators based in different parts of Europe, aiming to offer transversal, multigenerational and diverse perspectives on the present and the future of female practice.
Throughout the course of one day – 18 January 2019 –, conversations will take place in a variety of formats, creating platforms for exchange and connection. A Woman’s Work aims to bring women in and around design, art and architecture to the fore, advocating for their visibility to become a permanent condition. We hope to see you in Dresden, and that you will join us in conversation!
Can Altay presenting at the Spaces of Exception roundtables during the opening weekend of the 4th Istanbul Design Biennial, A School of Schools.
I was thrilled to be able to curate the public program of the 4th Istanbul Design Biennial, A School of Schools, as part of my role as a member of the biennial’s curatorial team. As a crucial part of our understanding of the “expanded” character we wanted to give the biennial, the public program was an active and intense part of the biennial’s effort, testing a variety of formats and experimenting with elements of duration, complexity and materialization. Taking place across the six venues of the biennial, the public program was also a way to involve a large local audience and bring several international practitioners to Istanbul, including some international schools who became temporary residents of the exhibition spaces, adding to the show and creating new work while there. In this way, the public program sought to expand and amplify the discussions started by A School of Schools.
Performance by Vivien Tauchmann during the press conference of the 4th Istanbul Design Biennial, A School of Schools. Photo Ilgin Erarslan Yanmaz.
The 4th Istanbul Design Biennial, A School of Schools, has officially opened its doors to the public. The Orientation Days on 20 and 21 September – open to professionals and other accredited visitors – kicked-off an intense series of events and formats, complementing the main biennial exhibition, which extended over six venues in the Beyoglu district of Istanbul. From 22 September to 4 November, A School of Schools will be free and open to the public.
The biennial brings together projects from more than 100 interdisciplinary practitioners from across the globe.Six of the city’s most iconic cultural institutions in the Beyoğlu district—Akbank Sanat, Yapı Kredi Culture Centre, Arter, Pera Museum, SALT Galata, Studio-X Istanbul—will transform into “schools” where new ideas in relation to expanded notions of design and its role in contemporary culture are explored.
Overview of ALCOVA just before the 4th Istanbul Design Biennial presentation
The 4th Istanbul Design Biennial, A School of Schools, was present during Milan Design Week with a public presentation that took place at ALCOVA, amidst the School of Time installation by Z33. The director of the Istanbul Design Biennial, Deniz Ova, introduced the ambitions for the event, and the curatorial team – Jan Boelen, Nadine Botha and myself – anticipated some details of the biennial, which will open next 22 September in Istanbul. Additionally, we also announced a collaboration with Z33, who will bring School of Time to Istanbul as part of the biennial. We are looking forward to seeing you all in Istanbul in the Fall!
Presenting at TEOK #40 – Founders. Photo Nicolás Miranda Turu.
TEOK is 4 years old (!!) – who’d have imagined that a crazy idea Juan Palencia, Marta Colón and I had over drinks one time would become TEOK Basel! To celebrate, our 40th event had co-founders me and Juan present on our obsessions as teenagers. I decided to go deep into my fascination with manga and anime – with a very specific focus on my gateway drug to the genre, Sailor Moon. Here’s to hoping the 5th year of TEOK will be filled with many incredible presentations, speakers, and Basel homes!
View of the panel discussion at the 7th UABB in Nantou Old Town, Shenzhen.
As part of a research trip for the 4th Istanbul Design Biennial, the biennial director Deniz Ova and I participated in a panel discussion at the opening weekend of the 7th UABB – Shenzhen/Hong Kong Bi-city Biennial of Architecture and Urbanism. Gathering Doreen Heng Liu, Ou Ning, Meng Yan, Liu Xiaodu, Hou Hanru, Jeffrey Johnson, Deniz Ova and myself, and moderated by Ole Bouman, the discussion centered on the vision behind the 7th UABB, titled “Cities Grow in Difference”, as well as how the format has changed and evolved throughout the previous editions. As international guests, we commented on how the UABB connects to other similar events and how the biennial format has changed in the past decade. It was an honor to sit among all these luminaries, and a very pleasant surprise to visit the UABB for the first time!
A mechanism for a model of the motion of a comet. Engraving after B. Martin, courtesy the Wellcome collection.
I’m thrilled to be joining the curatorial team of the 4th Istanbul Design Biennial as Associate Curator, alongside Jan Boelen and Nadine Botha. Titled A School of Schools, it is a multi-platform biennial that will use, test, and revise a variety of educational strategies to reflect on the role of design, knowledge, and global connectedness in contemporary Istanbul and beyond.
The first step in the year-long process of the biennial is an Open Call, open to both to learners and schools. For more information you can visit the biennial’s website at aschoolofschools.iksv.org. Hope to see you all in Istanbul in September 2018!
Upon invitation by the curators of “Forum Basel”, the most recent exhibition at the S AM, TEOK Basel broke the fourth wall and occupied the streets of Basel for two guerrilla-style events. On 11 and 13 June, during the 2017 Art Basel week, we took to the streets for two performative occupations that brought our events – usually taking place in domestic settings – to the wider public. Thank you to S AM and the curators of the show, especially KOSMOS Architects, for the invitation!
Invited by Cartha Magazine, one of the Associated Projects of the 2016 Lisbon Architecture Triennale, TEOK went to the Mãe D’Água in Lisbon to launch its Lisbon series and dwell on the theme of the Parallel. Speakers Andreia Garcia and Susana Oliveira took us on a journey to parallel architectural worlds, serenaded by the rumours of the water reservoir and peaceful ambiance of the Mãe D’Água. Thank you to Cartha for the invitation, it was a pleasure to bring TEOK to my hometown!
The Counter Borders handout, designed by Raquel Pinto. Photo Superscript.
How important is belonging to emerging architectural practices today? The post-recession economy has brought to the fore a number of critical, nimble, and resourceful young architects, who enjoy an extraordinary level of mobility in where they practice, where they build, and where they draw their ideas from. This is one of the many reflections sparked by the theme of the 2016 Oslo Architecture Triennale — After Belonging, which Superscript integrates with “Counter Borders“, a project that is part of the Triennale’s Extended Program.
TEOK XXIII in full throttle at Depot Basel. Photo Depot Basel
In our latest collaboration with Depot Basel, the twenty-third edition of TEOK was conceived to respond to the theme of SPECTACLE. Presenters Mathieu Bujnowskyj and Alfredo Brillembourg (with his band BINZ) took us on a wild ride from the hills of Burma’s new capital Nay Pyi Taw to Basel’s White Horse Hotel, and it felt like a real celebration within the space’s walls. Thank you to our speakers, hosts and audience – on to the next!
TEOK is two years old! To celebrate the occasion, we had a special edition of the event with a very special guest, Marina Otero Verzier. Our community came together to celebrate twenty editions of this informal lecture series and twice as many uncommon topics and lecturers. The next year of TEOK will bring even better things.
A screenshot of Abba’s video “Money, money, money”. Courtesy YouTube
For its thirteenth edition, TEOK collaborated with Dutch design collective Fictional Collective in the initiative Thisiswork.org, curating an event around the topics of Debt, Currency, Value and Trust. Our thirteenth session was held at Depot Basel. Titled Common Wealth, the event explored financial systems both implemented and emerging, analyzing alternative currency and value systems. At the core of the evening was the questioning of of trust: can it be undermined, exploited and used for nefarious ends? A reflection of the many ways in which spam has evolved to become more and more sophisticated allowed us to critically enquire which are the limits of trust in the digital world. The event is complemented by the reflections collected in the “This is work” publication, Chapter #4 Common wealth. It was a pleasure to collaborate with the young designers of Fictional Collective, and as always a pleasure to return to Depot Basel for a TEOK.
Making Africa: A Continent of Contemporary Design, published by the Vitra Design Museum accompanying the exhibition of the same name. Photo by Double Standards
As part of Superscript, Avinash Rajagopal and I served as Consultants for New Media and Technology and members of the Advisory Board of the most recent exhibition at the Vitra Design Museum, Making Africa: A Continent of Contemporary Design. Curated by Amelie Klein and born out of three years of research, this ambitious exhibition seeks to change perceptions on what the continent is and can be, presenting Africa as a hub of experimentation generating new approaches and solutions of worldwide relevance — and as a driving force for a new discussion of the potential of design in the 21st century. The exhibition focuses on a new generation of entrepreneurs, thinkers and designers from and within Africa, who – as “digital natives” – address a global audience and provide the world with a new vantage point on their continent.
Avinash and I further contributed an essay to the catalogue and assisted the editing of the English edition of the Making Africa catalogue. It was a pleasure to work with Amelie and the Vitra Design Museum team in this fantastic project.
A celebration of TEOK’s first anniversary at Depot Basel. Photo Matylda Krzykowski
Basel-based contemporary design space Depot Basel invited TEOK to curate an evening of presentations around its current exploration of “Display”. The event coincided with the first anniversary of this informal lecture series curated by myself, Juan Palencia and Marta Colón, and it was also the first time TEOK opened its doors to a general audience and to a larger number of participants. The evening was structured around the topic of Display, and we had presentations on Spanish roundabout art, nature and its representations in art, and the history of display in Natural History Museums. It was a pleasure to be invited by Depot Basel and to reflect about Display with our guests.
The “Designing Everyday Life” panel during the BIO 50 opening week. Photo Ana Kovač/MAO
The culmination of my work as a Curatorial Advisor for BIO 50 happened in September, with the biennial’s opening week and the unveiling of the results of a six-month collaborative process that involved more than 120 local and international agents. The intense week included the “Designing Everyday Life” panel, in which I moderated a conversation between BIO 50 chief curator Jan Boelen and design critics Alice Rawsthorn and Justin McGuirk, debating the current state of design and design events, apropos the biennial’s accompanying publication Designing Everyday Life. It was truly enjoyable to moderate a conversation among such luminaries. The conversation was lively and engaging, and can be seen fully here.
A view of the “Towards a New Avant-Garde” debate and installation. Photo Philippe Declerck /DEVspace
“Towards a New Avant-Garde”, the three-part conversation series I lead with Superscript during the opening weekend of the 14th International Architecture Exhibition— La Biennale di Venezia, brought together 40 talented young architects, writers, critics, to debate issues of identity, collaboration, and economics. Over the course of three 90-minute conversations, several key themes emerged, including the need of architects to engage the public directly, the importance of evolving new forms of communication and criticism, and the value of capitalizing on opportunities to be proactive. A recap of the discussion’s main topics can be read at ArchDaily. The event was also covered on Dezeen and Domusweb, among others.
Produced by Superscript withCatharine Rossi and Rossella Ferorelli, the conversations took place within the main Monditalia exhibition at the Corderie dell’Arsenale. The live-edited installation, designed by Brussels-based architecture firm DEVspaceand French-Swiss interaction designer Thibault Brevet with students from Basel’s Hyperwerk Institute, featured 18 Arduino-powered open-source printers and standard marker pens. Provocations from the organizers, participant names and quotes, as well as contributions from online followers using the hashtag #stayradical became part of dynamic backdrop that emerged over the course of each conversation.
The project was made possible through generous assistance from Hyperwerk Institute (Kevin Renz, Gabriel Meisel, Gabriel Kiefer, Fabian Ritzi, Ivo Ludwig, David Safranek, Matthias Maurer), and contributions by Amelie Klein, Niku Alex Mucaj, Becky Quintal, Elian Stefa, Fabrizia Vecchione, and Malte Ziegler. The project is supported by the Swiss Arts Council Pro Helvetia and WallonieBruxelles International (Belgium).
The Edge of Knowledge (TEOK) is an informal lecture series in Basel, where uncommon, unexpected topics are presented in someone’s living room. Short presentations are interspersed with video breaks and drinks, with topics ranging from food to the cosmos, internet memes and personal obsessions. The series was conceived in early 2014 and is curated by Juan Palencia, Marta Colon and myself, seeking to offer an alternative look at the cultural outputs of the contemporary – and a window into the fantastic, rich ensemble of people that live and work in Basel. We’re excited to organize and promote this event series – and if you are around Basel, you should join us for one of our weekly sessions! For more information, follow the TEOK Tumblr, Facebook, or Twitter.