An aspect of the A Woman’s Work symposium at the Kunstgewerbemuseum Dresden. Photo David Pinzer.
Thrilled to have just come out of a lively and thought-provoking day of discussions during A Woman’s Work at the Kunstgewerbemuseum Dresden. If you were not able to make it, you can see a report by Emma Lucek at Pamono Stories on the event. Below an excerpt:
The dominance of women both on the panel and in the audience—curators, designers, educators, students, directors, and more—brought home just how far we’ve come already. The significant rise in the visibility of women in the world of design today is undeniable. But as Rawsthorn very articulately summed it up, “We need to build on [these achievements] with a dynamic and critical discourse… While many skirmishes have been won, others await.”
Taking the exhibition as a starting point, A Woman’s Work examines the contemporary, in order to shed light on the invisibility of the female practitioner as it continues to exist today.
Structured in three parts – ‘Advocates of History’, ‘Enablers of Visibility’ and ‘Dismantlers of Existing Conditions’ – the symposium brings together a wide range of practitioners, scholars, writers, critics and curators based in different parts of Europe, aiming to offer transversal, multigenerational and diverse perspectives on the present and the future of female practice.
Throughout the course of one day – 18 January 2019 –, conversations will take place in a variety of formats, creating platforms for exchange and connection. A Woman’s Work aims to bring women in and around design, art and architecture to the fore, advocating for their visibility to become a permanent condition. We hope to see you in Dresden, and that you will join us in conversation!
An aspect of Judith Seng’s Acting Things VII: School of Fluid Measures at the 4th Istanbul Design Biennial, A School of Schools. Photo by Ekin Özbiçer.
During the closing weekend of the 4th Istanbul Design Biennial, A School of Schools, Judith Seng’s installation at the Scales School, in the Pera Museum, hosted a special roundtable. International guests – a sociologist, a curator, a philosopher and game theorist, and a theatre director – discussed the project from different angles, offering surprising views on the process and the interactions that Seng’s installation determined. The discussion, which I moderated, centered on the fluidity of standards, and on the possibility to create a notation system for fluid values. The result was published in Disegno #21, and I couldn’t be happier with the result.
I was thrilled to be part of the Design Museum’s Convivial Tools symposium, which re-examined the legacy and work of the late Austrian philosopher Ivan Illich, focusing particularly on his 1973 book Tools for Conviviality. Illich argued that the nature of modern ‘tools’, from machines to schools, had the effect of making people dependent and undermined their own natural abilities. What he called “convivial tools” were those that encouraged people to think for themselves and be more socially engaged.
Convivial Tools was a programme of talks, debates and workshops exploring new strategies for a more cooperative society. Using Ivan Illich’s concept of “conviviality”, it brought together designers, artists, media theorists, curators, and social thinkers from diverse fields to examine current tools and technologies that encourage alternative modes of production and social relations.
I was happy to discuss the “de-schooling” facets of the 4th Istanbul Design Biennial, A School of Schools, and to take part in a day of incredible discussions and insights.
Can Altay presenting at the Spaces of Exception roundtables during the opening weekend of the 4th Istanbul Design Biennial, A School of Schools.
I was thrilled to be able to curate the public program of the 4th Istanbul Design Biennial, A School of Schools, as part of my role as a member of the biennial’s curatorial team. As a crucial part of our understanding of the “expanded” character we wanted to give the biennial, the public program was an active and intense part of the biennial’s effort, testing a variety of formats and experimenting with elements of duration, complexity and materialization. Taking place across the six venues of the biennial, the public program was also a way to involve a large local audience and bring several international practitioners to Istanbul, including some international schools who became temporary residents of the exhibition spaces, adding to the show and creating new work while there. In this way, the public program sought to expand and amplify the discussions started by A School of Schools.
Performance by Vivien Tauchmann during the press conference of the 4th Istanbul Design Biennial, A School of Schools. Photo Ilgin Erarslan Yanmaz.
The 4th Istanbul Design Biennial, A School of Schools, has officially opened its doors to the public. The Orientation Days on 20 and 21 September – open to professionals and other accredited visitors – kicked-off an intense series of events and formats, complementing the main biennial exhibition, which extended over six venues in the Beyoglu district of Istanbul. From 22 September to 4 November, A School of Schools will be free and open to the public.
The biennial brings together projects from more than 100 interdisciplinary practitioners from across the globe.Six of the city’s most iconic cultural institutions in the Beyoğlu district—Akbank Sanat, Yapı Kredi Culture Centre, Arter, Pera Museum, SALT Galata, Studio-X Istanbul—will transform into “schools” where new ideas in relation to expanded notions of design and its role in contemporary culture are explored.
For the latest edition of the Abecedarium, a format developed by Alexandra Midal, I was invited to intervene discussing the idea of educational films. At the event, which took place at the Musée des Arts Décoratifs in Paris and focused mostly on the interactions between design and film, I chose to talk about some of the ways in which film and education are entangled, and focused on the rich material provided by the so-called “social guidance films” developed in the United States in the second half of the 20th century.
My talk advocated that we should ask more from film as a learning space. We should ask for film as an enabler of learning spaces that are open and ambiguous, that open doors and not just close them; that open world-views and not just demand them. Of course, the Abecedarium is in itself this kind of space. Thank you to Alexandra and Sébastien Quequet for the invitation, it was fantastic to be part of this format!
Participants of the One Woman Show talk at the Swiss Design Awards 2018.
I was honored to moderate the One Woman Show talk which took place at the Swiss Design Awards exhibition during Art Basel week. Organized by the Bundesamt für Kultur with the Zurich chapter of Ladies, Wine and Design, the event sought to explore how women work independently as designers and creative practitioners. Discussion topics circled around business and creative leadership, working independently, courage in creativity, work ethics and how to go from fear to freedom. We were lucky enough to be able to hear insights from multiple generations, with participants including Rosmarie Tissi, Cécile Feilchenfeldt, and several of the designers exhibiting as part of the Swiss Design Awards exhibition of this year. The conversation provided an interesting space for the sharing of many different stories, and it was fascinating to see how many of the challenges faced by previous generations are the same – albeit in different scales – as those of the practitioners of today. I am thankful for this opportunity, which was an incredible learning experience.
Talking about Marcelo Rosenbaum’s A Gente Transforma at the “Design Positions” lecture.
I was extremely happy to be invited to lecture as part of the “Design Positions” lecture series, organized by students of the Public Interest Design masters program at the Bergischen Universität Wuppertal. Taking place in public spaces around the city of Wuppertal, the lecture series seeks to create connections with the city and its inhabitants. The recently founded Public Interest Design program has high ambitions and it was fantastic to get to know some of the students and faculty. I took the chance to lecture about some of my recent projects and what I see as interesting directions for the design practice in the 21st century. Thanks for having me!
Overview of ALCOVA just before the 4th Istanbul Design Biennial presentation
The 4th Istanbul Design Biennial, A School of Schools, was present during Milan Design Week with a public presentation that took place at ALCOVA, amidst the School of Time installation by Z33. The director of the Istanbul Design Biennial, Deniz Ova, introduced the ambitions for the event, and the curatorial team – Jan Boelen, Nadine Botha and myself – anticipated some details of the biennial, which will open next 22 September in Istanbul. Additionally, we also announced a collaboration with Z33, who will bring School of Time to Istanbul as part of the biennial. We are looking forward to seeing you all in Istanbul in the Fall!
The Atelier LUMA brochure, distributed this year during Milan Design Week at the Palazzo Clerici.
During the 2018 Milan Design Week, Atelier LUMA took over the courtyard of Palazzo Clerici, where, in four different studiolo structures, it presented recent outcomes of the material exploration and research they are actively conducting in Arles, in the South of France. I was happy to have worked on the project’s brochure, which was presented in Milan for the first time, and with a wonderful design by Andrea Anner, will continue to serve as a fantastic visual and conceptual introduction to the large-scale intervention that is taking shape in Arles. If you don’t follow the journey of Atelier LUMA, I warmly invite you to find out more on their website.
A School of Schools, Part 1: Historical Perspectives at the Swiss Design Network’s Beyond Change conference. Photo Samuel Hanselmann, IXDM.
The 4th Istanbul Design Biennial, A School of Schools, was present at the 2018 Swiss Design Network’s Beyond Change conference in the form of a double session exploring historical and contemporary design education alternatives in order to reflect on the role of design, knowledge, and global connectedness in our contemporary context. The sessions explored the complexities of past and present educational initiatives. The first session, titled Historical Perspectives, included presentations by James Langdon (speaking in the image above), Livia Rezende, and Zara Arshad. It focused on alternative design education initiatives taking place in South America, Western Europe and South Asia. Presentations explored diverse pedagogical positions and their spaces of agency, and reflected on what we can learn from them in our current times.
The second session, titled Contemporary Alternatives, included presentations by Prem Krishnamurthy, Merve Bedir and Benjamin Foerster-Baldenius, transdisciplinary practitioners whose approach is reinforced and permeated by learning. We looked at a research institute that doubles as a community action center and laboratory of learning; a site-specific offshore laboratory and educational experiment that engages multiple educational institutions; and a year-long initiative for a space for production, presentation, and potential pedagogy. These practices create new knowledge, search for alternatives to implemented systems, and, with radical diversity, push the boundaries of design.
The sessions were moderated by Jan Boelen and myself, and sought to make public part of the research that will lead to the biennial opening later this year in Istanbul. Thank you to the organizers, and especially Nina Paim and Claudia Mareis, for the opportunity to bring the discussion surrounding A School of Schools to Basel!
Presenting at TEOK #40 – Founders. Photo Nicolás Miranda Turu.
TEOK is 4 years old (!!) – who’d have imagined that a crazy idea Juan Palencia, Marta Colón and I had over drinks one time would become TEOK Basel! To celebrate, our 40th event had co-founders me and Juan present on our obsessions as teenagers. I decided to go deep into my fascination with manga and anime – with a very specific focus on my gateway drug to the genre, Sailor Moon. Here’s to hoping the 5th year of TEOK will be filled with many incredible presentations, speakers, and Basel homes!
I’m honored to have been working as a program consultant for the upcoming Beyond Change conference, organized by the Swiss Design Network. It will take place in Basel from 8-10 March, and will focus on socially and politically motivated design, fostering feminist, queer and decolonized perspectives. Within the star-studded and very ambitious program, the conference will include a double session curated in collaboration with the 4th Istanbul Design Biennial, A School of Schools, focusing on alternative design pedagogies in the past and today. I will be moderating those debates alongside Jan Boelen.
It’s been a pleasure to collaborate with the conference organization team, Claudia Mareis, Nina Paim and Sarah Haug, and I’m very much looking forward to attending Beyond Change! Tickets are available here should you wish to do the same.
View of the panel discussion at the 7th UABB in Nantou Old Town, Shenzhen.
As part of a research trip for the 4th Istanbul Design Biennial, the biennial director Deniz Ova and I participated in a panel discussion at the opening weekend of the 7th UABB – Shenzhen/Hong Kong Bi-city Biennial of Architecture and Urbanism. Gathering Doreen Heng Liu, Ou Ning, Meng Yan, Liu Xiaodu, Hou Hanru, Jeffrey Johnson, Deniz Ova and myself, and moderated by Ole Bouman, the discussion centered on the vision behind the 7th UABB, titled “Cities Grow in Difference”, as well as how the format has changed and evolved throughout the previous editions. As international guests, we commented on how the UABB connects to other similar events and how the biennial format has changed in the past decade. It was an honor to sit among all these luminaries, and a very pleasant surprise to visit the UABB for the first time!
At the ECAL Research Day with Xavier Veilhan and Stéphanie Moisdon. Photo courtesy of Zoe Cooper.
I was thrilled to moderate a full day of conversations at ECAL in October, on the occasion of the 10th anniversary of the EPFL + ECAL Lab and the celebration of 10 years of research at ECAL. The ECAL Research Day was filled with thought-provoking debate and ideas, including the participation of individuals such as Skylar Tibbits from the MIT Self-Assembly Lab, Roel Wouters from Studio Moniker, or Fabio Gramazio from Gramazio Kohler Architects. More information on the event’s official website.
Upon invitation by the curators of “Forum Basel”, the most recent exhibition at the S AM, TEOK Basel broke the fourth wall and occupied the streets of Basel for two guerrilla-style events. On 11 and 13 June, during the 2017 Art Basel week, we took to the streets for two performative occupations that brought our events – usually taking place in domestic settings – to the wider public. Thank you to S AM and the curators of the show, especially KOSMOS Architects, for the invitation!
I was thrilled to participate in one of the debates organized during Salone del Mobile 2017 by Disegno magazine and the British Council on the future of European design, which took place at Atelier Clerici. The event was titled “Why aren’t all economies circular?”, and was chaired by Joseph Grima with Sarah Mann, Carl-Johan Skogh and myself. The talks were characterized by multi-layered, thoughtful and intense discussions – generally countering the superficiality on display for most of the week, and a welcome addition to the programming of Fuorisalone. The three discussions on the future of European design are all available as podcasts on Disegno Daily, and I invite you to listen to all of them!
Invited by Cartha Magazine, one of the Associated Projects of the 2016 Lisbon Architecture Triennale, TEOK went to the Mãe D’Água in Lisbon to launch its Lisbon series and dwell on the theme of the Parallel. Speakers Andreia Garcia and Susana Oliveira took us on a journey to parallel architectural worlds, serenaded by the rumours of the water reservoir and peaceful ambiance of the Mãe D’Água. Thank you to Cartha for the invitation, it was a pleasure to bring TEOK to my hometown!
The Counter Borders handout, designed by Raquel Pinto. Photo Superscript.
How important is belonging to emerging architectural practices today? The post-recession economy has brought to the fore a number of critical, nimble, and resourceful young architects, who enjoy an extraordinary level of mobility in where they practice, where they build, and where they draw their ideas from. This is one of the many reflections sparked by the theme of the 2016 Oslo Architecture Triennale — After Belonging, which Superscript integrates with “Counter Borders“, a project that is part of the Triennale’s Extended Program.
TEOK XXIII in full throttle at Depot Basel. Photo Depot Basel
In our latest collaboration with Depot Basel, the twenty-third edition of TEOK was conceived to respond to the theme of SPECTACLE. Presenters Mathieu Bujnowskyj and Alfredo Brillembourg (with his band BINZ) took us on a wild ride from the hills of Burma’s new capital Nay Pyi Taw to Basel’s White Horse Hotel, and it felt like a real celebration within the space’s walls. Thank you to our speakers, hosts and audience – on to the next!
TEOK is two years old! To celebrate the occasion, we had a special edition of the event with a very special guest, Marina Otero Verzier. Our community came together to celebrate twenty editions of this informal lecture series and twice as many uncommon topics and lecturers. The next year of TEOK will bring even better things.
The #SociableMuseum panel at MuseumNext Geneva, April 2015
As part of Superscript, I had the opportunity to co-moderate the #SociableMuseum panel at the European Museum Conference MuseumNext in Geneva, Switzerland. In the midst of one of the most significant gatherings of museum professionals in the world, the panel reunited Alin Tomacov, experience designer and associate partner at C & G Partners in New York, Seb Chan, Director of Digital and Emerging Media at the Cooper Hewitt in New York, and Viviane Stappmanns, Head of Communications at the Vitra Design Museum in Weil am Rhein, Germany, to talk about how can museums go from being “social” to becoming “sociable”.
Drawing from extensive research by Superscript co-founders Molly Heintz and Avinash Rajagopal, the panel advocated that while many museums today consciously use technology to become more social and open to the communities around them, there is a need for a further step, where these institutions become sociable — willing to actively engage with other people — creating conversations that forge true connections with their audiences. It was a pleasure to listen to such meaningful insights as the discussion unfolded: the panel (as it was recorded by Twitter users) can be seen here.
A screenshot of Abba’s video “Money, money, money”. Courtesy YouTube
For its thirteenth edition, TEOK collaborated with Dutch design collective Fictional Collective in the initiative Thisiswork.org, curating an event around the topics of Debt, Currency, Value and Trust. Our thirteenth session was held at Depot Basel. Titled Common Wealth, the event explored financial systems both implemented and emerging, analyzing alternative currency and value systems. At the core of the evening was the questioning of of trust: can it be undermined, exploited and used for nefarious ends? A reflection of the many ways in which spam has evolved to become more and more sophisticated allowed us to critically enquire which are the limits of trust in the digital world. The event is complemented by the reflections collected in the “This is work” publication, Chapter #4 Common wealth. It was a pleasure to collaborate with the young designers of Fictional Collective, and as always a pleasure to return to Depot Basel for a TEOK.
A celebration of TEOK’s first anniversary at Depot Basel. Photo Matylda Krzykowski
Basel-based contemporary design space Depot Basel invited TEOK to curate an evening of presentations around its current exploration of “Display”. The event coincided with the first anniversary of this informal lecture series curated by myself, Juan Palencia and Marta Colón, and it was also the first time TEOK opened its doors to a general audience and to a larger number of participants. The evening was structured around the topic of Display, and we had presentations on Spanish roundabout art, nature and its representations in art, and the history of display in Natural History Museums. It was a pleasure to be invited by Depot Basel and to reflect about Display with our guests.