An aspect of TEOK // PARALELO at the Mãe d’Agua, during the 2016 Lisbon Architecture Triennale – The Form of Form. Photo © Pedro Sadio
Invited by Cartha Magazine, one of the Associated Projects of the 2016 Lisbon Architecture Triennale, TEOK went to the Mãe D’Água in Lisbon to launch its Lisbon series and dwell on the theme of the Parallel. Speakers Andreia Garcia and Susana Oliveira took us on a journey to parallel architectural worlds, serenaded by the rumours of the water reservoir and peaceful ambiance of the Mãe D’Água. Thank you to Cartha for the invitation, it was a pleasure to bring TEOK to my hometown!
A view of the renovated interior of Fondaco dei Tedeschi, by OMA. Photo © Delfino Sisto Legnani and Marco Cappelletti. Courtesy of OMA.
I contributed to the The Avery Review 18 with a review of OMA’s project for the Fondaco dei Tedeschi, delving on the complex and loaded story of the commission and the many compromises that informed the fairly spectacular outcome. Many thanks to the wonderful editorial team at TAR, always a pleasure to work with. The piece can be read in its entirety here.
Holo 2 – IF/THEN. Photo @ HOLO
I was lucky to encounter Jürg Lehni for an extended profile in the latest issue of HOLO magazine: his drawing machines Viktor, Hektor and Otto have captured the imagination of many and influenced a generation of designers. For the piece, I visited Lehni in his Zurich studio and followed his work during a few months. Thrilled to have contributed to HOLO with this profile, and many thanks to Greg J. Smith for his invaluable editorial perspective. More info on the magazine, and where to get it, can be found here.
A view of In Residence at the 2016 Oslo Architecture Triennale. Photo © Istvan Virag
In September 2016, I was lucky to attend the opening days of the 2016 Oslo Architecture Triennale – After Belonging. My thoughts on this extraordinary event can be found on Disegno Daily: a little snippet below.
the most dynamic aspect of this Triennale materialised in the myriad exchanges, conversations, and encounters that took place everywhere in the city during the opening days. Many were consciously provoked in the opening conference and the large-scale international student exchange program launched by The Academy, a forum organised by the Oslo School of Architecture and Design. Many more were unexpected and spontaneous, triggered in courtyards, parties, restaurant entrances and walks throughout the city. The opening weekend of After Belonging featured many personalities but little ego, and a larger interest in discussing and sharing ideas than in presenting solutions and absolute visions. There was plurality and tolerance, openness and exchange.
Cover detail of Cartha – On Relations in Architecture.
The essay I wrote with Juan Palencia on the inception and growth of TEOK for the inaugural issue of Cartha magazine has been included in their first book, titled On Relations in Architecture and published by Park Books. It was wonderful to see the essay come to life in the printed page! Congratulations to the Cartha team and all their other contributors.
The Counter Borders handout, designed by Raquel Pinto. Photo Superscript.
How important is belonging to emerging architectural practices today? The post-recession economy has brought to the fore a number of critical, nimble, and resourceful young architects, who enjoy an extraordinary level of mobility in where they practice, where they build, and where they draw their ideas from. This is one of the many reflections sparked by the theme of the 2016 Oslo Architecture Triennale — After Belonging, which Superscript integrates with “Counter Borders“, a project that is part of the Triennale’s Extended Program.
Continue reading Counter Borders
The Unmanned: Drone book launch in Venice.
It was under the blue hues of the Dutch Pavilion at the 2016 Venice Architecture Biennale that we presented the first e-book of the Unmanned: Architecture and Security series. Titled Drone, this first issue combines several essays on the topic with reports on two events that took place at Studio X and Het Nieuwe Instituut. I was thrilled to be able to assist the very talented team of editors – Ethel Baraona Pohl, Marina Otero Verzier and Malkit Shoshan – in the making of this volume with dpr.barcelona, and was happy to participate in the launch discussion, where the editorial team was complemented by respondents Anna Puigjaner and Tamar Shafrir.
TEOK XXIII in full throttle at Depot Basel. Photo Depot Basel
In our latest collaboration with Depot Basel, the twenty-third edition of TEOK was conceived to respond to the theme of SPECTACLE. Presenters Mathieu Bujnowskyj and Alfredo Brillembourg (with his band BINZ) took us on a wild ride from the hills of Burma’s new capital Nay Pyi Taw to Basel’s White Horse Hotel, and it felt like a real celebration within the space’s walls. Thank you to our speakers, hosts and audience – on to the next!
Spreads from the Swiss Grand Award for Design 2016 publication.
I was delighted to edit the publication celebrating the 2016 edition of the Swiss Grand Award for Design, a career prize bestowed upon distinguished Swiss designers of all fields. This was the tenth year of the award, which is given by the Swiss Federal Office of Culture, and the winners were Claudia Caviezel, Hans Eichenberger, and Ralph Schraivogel. I had the pleasure to interview them and get to know better their work and practice, and it was also fantastic to work with the Federal Office of Culture, in the person of Patrizia Crivelli, and designer Jonathan Hares.
A presentation slide during TEOK XX. Photo TEOK
TEOK is two years old! To celebrate the occasion, we had a special edition of the event with a very special guest, Marina Otero Verzier. Our community came together to celebrate twenty editions of this informal lecture series and twice as many uncommon topics and lecturers. The next year of TEOK will bring even better things.
An aspect of the Forum 4 – Knowledge. Photo courtesy Depot Basel
I was delighted to represent TEOK at Depot Basel’s initiative Forum for an Attitude. During the 4th iteration of the Forum, with the topic “Knowledge”, I gave a lecture on the many different ways of knowing that we encounter in life, and how the development of TEOK allowed us to further our definitions of what we know and what we think we know. It was great to spend some time with the fantastic participants of the Forum and enhance my understanding of knowledge over the weekend. Thanks to Depot Basel and Matylda Krzykowski for the invitation!
The projected Roche campus in Basel, designed by Herzog & de Meuron and slated for completion in 2021.© F. Hoffmann-La Roche Ltd.
I contributed to the latest issue of The Avery Review with an essay on the inevitable densification of Basel. As a resident of the city since 2013, I was keen in telling this story for a long time. I have to thank Jacob Moore at The Avery Review for the invitation to contribute; writing this piece was an exercise in telling a complex story in a compelling way, and I hope everyone that reads it gets a little bit more acquainted with the architectural reality of this small city tucked in a corner of Switzerland. For the full piece head on to the Review‘s excellent website.
“Strategies for the relevance of Portuguese design in the 21st century”, in Camões magazine no. 21
The latest issue of Camões magazine, a magazine of the Portuguese institute for language and cooperation, is fully dedicated to design in Portugal, and co-edited by designer Fernando Brízio and Maria Helena Souto. I was delighted to contribute an essay to the “Critical Voices” section of the magazine, outlining a series of strategies I believe are important for contemporary Portuguese design. It was an honor to be included among the finest voices in contemporary Portuguese design discourse, and contribute to a publication which I believe will have a strong impact in the country’s design scene. The essay is only available in Portuguese, and it can be read after the jump.
Continue reading Strategies for contemporary Portuguese design
Excerpt from a production diagram for Jesse Howard’s OS Waterboiler. Photo Jesse Howard
The latest edition of the Swiss national radio’s Kontext program was dedicated to DIY design. Starting from an exhibition dedicated to the topic, currently on display at Zurich’s Schaudepot, the program talked to several curators, designers and critics to better understand the phenomenon and its implications. I was happy to contribute to the program, offering my insights on the subject and discussing the excellent work of Thomas Lommée, Jesse Howard and Gaspard Tiné-Bères, among others. The full program (in German) can be accessed here.
The #SociableMuseum panel at MuseumNext Geneva, April 2015
As part of Superscript, I had the opportunity to co-moderate the #SociableMuseum panel at the European Museum Conference MuseumNext in Geneva, Switzerland. In the midst of one of the most significant gatherings of museum professionals in the world, the panel reunited Alin Tomacov, experience designer and associate partner at C & G Partners in New York, Seb Chan, Director of Digital and Emerging Media at the Cooper Hewitt in New York, and Viviane Stappmanns, Head of Communications at the Vitra Design Museum in Weil am Rhein, Germany, to talk about how can museums go from being “social” to becoming “sociable”.
Drawing from extensive research by Superscript co-founders Molly Heintz and Avinash Rajagopal, the panel advocated that while many museums today consciously use technology to become more social and open to the communities around them, there is a need for a further step, where these institutions become sociable — willing to actively engage with other people — creating conversations that forge true connections with their audiences. It was a pleasure to listen to such meaningful insights as the discussion unfolded: the panel (as it was recorded by Twitter users) can be seen here.
A screenshot of Abba’s video “Money, money, money”. Courtesy YouTube
For its thirteenth edition, TEOK collaborated with Dutch design collective Fictional Collective in the initiative Thisiswork.org, curating an event around the topics of Debt, Currency, Value and Trust. Our thirteenth session was held at Depot Basel. Titled Common Wealth, the event explored financial systems both implemented and emerging, analyzing alternative currency and value systems. At the core of the evening was the questioning of of trust: can it be undermined, exploited and used for nefarious ends? A reflection of the many ways in which spam has evolved to become more and more sophisticated allowed us to critically enquire which are the limits of trust in the digital world. The event is complemented by the reflections collected in the “This is work” publication, Chapter #4 Common wealth. It was a pleasure to collaborate with the young designers of Fictional Collective, and as always a pleasure to return to Depot Basel for a TEOK.
A view of Basel. Photo Wikipedia
Earlier this month, I was delighted to go back to my alma mater, the Design Criticism Department at the School of Visual Arts, to talk about design events and their changing nature in recent years. The talk was integrated in the planning of the graduating class’ final event, lead by Molly Heintz and Alice Twemlow. It was a pleasure to be back and to see the most recent generation of design critics ready for graduation!
A detail of the Mathare Slum as seen in the MapKibera initiative. Image © MapKibera
Avinash Rajagopal and I, as part of Superscript, contributed an analysis of contemporary digital design in Africa to the accompanying catalogue of Making Africa. The natural culmination of our role as Consultants for New Media and Technology, and members of the Advisory Board, the essay was a pleasure to write and research, and wouldn’t have been possible without the invaluable assistance of Dalia Ohtman, a Research Fellow at the Berkman Center for Internet & Society at Harvard University and a Visiting Scholar at the MIT Center for Civic Media. An excerpt of the essay can be read after the jump.
Continue reading Profile Picture: Digital Design from Africa
Making Africa: A Continent of Contemporary Design, published by the Vitra Design Museum accompanying the exhibition of the same name. Photo by Double Standards
As part of Superscript, Avinash Rajagopal and I served as Consultants for New Media and Technology and members of the Advisory Board of the most recent exhibition at the Vitra Design Museum, Making Africa: A Continent of Contemporary Design. Curated by Amelie Klein and born out of three years of research, this ambitious exhibition seeks to change perceptions on what the continent is and can be, presenting Africa as a hub of experimentation generating new approaches and solutions of worldwide relevance — and as a driving force for a new discussion of the potential of design in the 21st century. The exhibition focuses on a new generation of entrepreneurs, thinkers and designers from and within Africa, who – as “digital natives” – address a global audience and provide the world with a new vantage point on their continent.
Avinash and I further contributed an essay to the catalogue and assisted the editing of the English edition of the Making Africa catalogue. It was a pleasure to work with Amelie and the Vitra Design Museum team in this fantastic project.
One of the diagrams drawn by Juan Palencia for Cartha #0 — Worth Sharing
Juan Palencia and I contributed an essay to Cartha, a new architectural magazine that doubles as an experimental editorial project. Living online during an initial run of six issues, the magazine privileges long-form, analytical writing. Each issue focuses on one single topic: appropriately open-ended, the themes allow for many different kinds of approaches. Cartha’s issue #0 combines striking imagery and thoughtful reflections; our essay draws from one year of TEOK and what we’ve learned from the experiment. The full essay can be read here.
A profile of Jader Almeida in Metropolis, February 2015
Early in the year, I had the pleasure of interviewing Brazilian designer Jader Almeida, a 33-year-old industrial designer with an impressive career, and write a profile on him for Metropolis magazine. The promising young designer is one of the country’s top talents, with a singular approach and a remarkable, tenacious commitment to his craft. The full profile can be read over at the Metropolis website.
A detail of Depot Basel’s DISPLAY publication.
Following the tenth edition of TEOK, I wrote an essay for the DISPLAY publication launched by Depot Basel following its exploration of the theme in a series of spacial interventions, lectures and events at their Basel location. My contribution focused on the mechanics and structure of the TEOK held at Depot Basel, and reflected on the things learned following that evening. A big thank you to Matylda Krzykowski for the invitation to contribute to the publication.
A celebration of TEOK’s first anniversary at Depot Basel. Photo Matylda Krzykowski
Basel-based contemporary design space Depot Basel invited TEOK to curate an evening of presentations around its current exploration of “Display”. The event coincided with the first anniversary of this informal lecture series curated by myself, Juan Palencia and Marta Colón, and it was also the first time TEOK opened its doors to a general audience and to a larger number of participants. The evening was structured around the topic of Display, and we had presentations on Spanish roundabout art, nature and its representations in art, and the history of display in Natural History Museums. It was a pleasure to be invited by Depot Basel and to reflect about Display with our guests.
An excerpt of Yona Friedman’s “A Map to the Future”, as seen in Designing Everyday Life, MAO and Park Books, Zurich 2014
As part of BIO 50 accompanying publication Designing Everyday Life, Tamar Shafrir and I wrote an essay on the evolution of design events in the last 50 years, and how contemporary design events can inform and shape the future of the design discipline. The full essay can be read below.
A Good Virus
Vera Sacchetti, Tamar Shafrir
When in November 2011 Italian architecture and design magazine Domus charted what it coined as the “Biennialozoic Era”, a foldout spread displayed a world map with a comprehensive overview of architecture, art and design events throughout the world. In a methodical manner, the mock atlas illustrated 150 events of the kind, from the Biennial of Design in Ljubljana, founded in 1964, to the 2012 inaugural edition of the Istanbul Design Biennial. Of these, 65% have been founded in the last fifteen years, the most recent being the newly announced Biennial of Architecture in Chicago, which will hold its first edition in 2015. Continue reading A Good Virus
A detail of one of the modular appliances developed by the Hacking Households group. Photo Hacking Households
I was happy to write about the Internet of Things and the future of smart home appliances in Disegno no. 7, with a piece focusing on the work of designers Thibault Brevet, Jesse Howard and their combined efforts alongside the Hacking Households group at BIO 50. The project was one of my favorites within the biennial, and can be fully explored here.